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SELECTED REVIEWS

NYHETER & PRESS

Interview with C.QP 

1 JULY, 2020

READ HERE

Financial Times

Svarfvar and the ever-supportive Kjekshus capture it to perfection. Impassioned one moment, reflective the next – that Svarfvar projects with particular grace. Grieg’s romantic cantabile rides on such a fluent variety of ideas that listening to all three sonatas in quick succession is pure pleasure, buoyed by Svarfvar’s fearless expression, rock-solid technique and stylistic acumen. This gifted violinist has done us – and Grieg – a big favour, and we must hear more from him.

 

★★★★★

                                                                                                     

ANDREW CLARKE

CHIEF MUSIC CRITIC, FINANCIAL TIMES

The Strad

Playing of finesse and sensitivity, providing the perfect sound world – warm, intimate, tonally ravishing.

Svarfvar creates the magical impression of activating his instrument by breathing over the strings rather than bowing in the traditional manner.

 

He floats Ravel’s golden inspiration with such a poetic intimacy and tantalizing quiescence as to have the listener hanging on his every phrase.

Svarfvar keeps everything perfectly in scale so that when he soars aloft rejoicingly into the opening Allegro’s recapitulation the effect is almost overwhelming.

An outstanding release."

                                                       

 

JULIAN HAYLOCK, THE STRAD

Fanfare Magazine

Christian Svarfvar captures perfectly here the quiet, heartfelt nature of the Fauré First Sonata, his tone all gleaming satin, supported by rich rolling chords from Roland Pöntinen..A lovely recording!

 

 

STEVEN KRUGER

FANFARE MAGAZINE

Sydsvenskan

Känsloinlevelse, delikat frasering, övertygande drive – kort sagt: en artistisk auktoritet som imponerar.

 

Emotional involvement, delicate phrasing, convincing drive - in short: an artistic authority that impresses.

 

★★★★★

 

 

CARL HÅKAN LARSEN

SYDSVENSKAN

Svenska Dagbladet

Hans svett nästan bokstavligen kommer I kontakt med publikens tårar.

Det är alldeles magnifikt

 

His sweat almost literally comes into contact with the audience's tears.

It is simply magnificent.

 

 

SOFIA NYBLOM

SVENSKA DAGBLADET

Dagens Nyheter

Jag kan inte tänka mig en finare ingång till denna makalösa musiktradition. 5/5 (Aprés un reve)

 

(Utsedd till årets bästa skiva 2016)

MARTIN NYSTRÖM, DN

Gramophone

Christian Svarfvar muses poetically over the opening solo of the Bruch Concerto. His dreamy approach is mesmeric, in any case. His tone gleams, and the way he tugs yearningly on the leading tones draws one in. Svarfvar´s playing radiates tenderness.

 

 

 

GRAMOPHONE

Süeddeutsche Zeitung

Christian Svarfvar takes on this famous violin concerto with his unpretentiously elegant, yet concentrated sensual, yet sweet violin tone.

In contrast to others, Svarfvar never drives off to the pompous, he doesn´t even get into the dripping sentimental or senselessly pleasing.

 

HELMUT MAURÓ

SÜEDDEUTSCHE ZEITUNG

Svenska Dagbladet

Bruch played with brilliance and clarity.

Christian Svarfvar lets his sensitive glowing tone meet the classicist ideal.

Christian Svarfvar plays with clarity and technical brilliance, doesn´t miss a note and shines through in passages where other violinists usually fail.

 

LARS HEDBLAD

SVENSKA DAGBLADET

BBC Music Magazine

The playing is anything but routine.

 

Intoxicating atmosphere, delicious rubato and lovely sound

 

 

BBC MUSIC MAGAZINE

Fanfare Magazine

Christian Svarfvar captures perfectly here the quiet, heartfelt nature of the Fauré’s First Sonata, his tone all gleaming satin. Svelte Swedish musicianship and the civilized emotions of France
It made a big impact when first heard in 1877 and immediately established the composer as a chamber music giant. When performed so beautifully and seductively, you feel this way all the more.

I have fond memories from 1967 of Zino Francescatti and Robert

Cassadesus playing the sonata in person. Francescatti seemed to own the

piece. But gentle efforts here find everything in the music one could wish

for – and win the day in effortlessly real sound.

A lovely recording!

STEVEN KREUGER, Fanfare Magazine - America’s most serious journal devoted to recorded music.

Luxemburg Wort

“Musical mastership, virtuosic control and sensibility equally mastered.”

 

LUXEMBURG WORT